Avrupa Sinema \u00d6d\u00fclleri<\/strong>Avrupa sinemas\u0131n\u0131n en b\u00fcy\u00fck ba\u015far\u0131lar\u0131n\u0131 \u00f6d\u00fcllendiren \u00f6d\u00fcl t\u00f6renleri h\u0131zla \u00e7o\u011fald\u0131.<\/p>\n

Bu hafta sonu (9 Aral\u0131k Cumartesi) Berlin’de yap\u0131lacak t\u00f6renler, Euronews Culture’da canl\u0131 yay\u0131nland\u0131<\/strong>, ve sizi t\u00fcm sonu\u00e7lardan haberdar etmek i\u00e7in sitede yer alacaks\u0131n\u0131z.<\/p>\n

Bu y\u0131l prestijli En \u0130yi Avrupa Sinemas\u0131 sertifikas\u0131na aday g\u00f6sterilen filmlerden \u00fc\u00e7 d\u00fcnya pr\u00f6miyerini Cannes’da yapt\u0131 ve orada b\u00fcy\u00fck \u00f6d\u00fcller kazand\u0131 ( Bir D\u00fc\u015f\u00fc\u015f\u00fcn Anatomisi<\/em>-Alt\u0131n Palmiye; \u0130lgi Alan\u0131<\/em>– Cannes Grand Prix’si ve FIPRESCI \u00d6d\u00fcl\u00fc; D\u00fc\u015fm\u00fc\u015f yapraklar<\/em>– J\u00fcri \u00d6d\u00fcl\u00fc), di\u011fer iki aday\u0131n pr\u00f6miyeri bu y\u0131l Venedik’te yap\u0131ld\u0131 – Ye\u015fil Kenarl\u0131k<\/em>Ve Ben Kaptan<\/em>– ve ayr\u0131ca \u00f6d\u00fcllerle geri d\u00f6nd\u00fc: S\u0131ras\u0131yla J\u00fcri \u00d6zel \u00d6d\u00fcl\u00fc ve En \u0130yi Erkek Oyuncu.<\/p>\n

Bu s\u0131k\u0131 bir yar\u0131\u015f ve onun kat\u0131lmas\u0131 muhtemel olarak ana lige g\u00f6t\u00fcr\u00fclebilir.<\/p>\n

Tahminlerde bulunmaya ba\u015flamadan \u00f6nce En \u0130yi Sinema adaylar\u0131na detayl\u0131 olarak g\u00f6z atal\u0131m…<\/p>\n

Bir D\u00fc\u015f\u00fc\u015f\u00fcn Anatomisi (Anatomie d’une chute)<\/strong><\/b><\/p>\n

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<\/iframe><\/div>\n<\/figure>\n<\/div>\n<\/div>\nBu y\u0131l\u0131n Alt\u0131n Palmiye \u00f6d\u00fcl\u00fcn\u00fc kazanan Sandra H\u00fcller’in (bu y\u0131l iki kez En \u0130yi Kad\u0131n Oyuncu’ya aday g\u00f6sterildi\u011fi) muhte\u015fem performans\u0131yla dolu, b\u00fcy\u00fcleyici bir mahkeme salonu dramas\u0131na d\u00f6n\u00fc\u015fen olas\u0131 bir Alp cinayetinin ilgi \u00e7ekici hikayesi anlat\u0131l\u0131yor. Bir D\u00fc\u015f\u00fc\u015f\u00fcn Anatomisi<\/em>Ve \u0130lgi Alan\u0131<\/em>).<\/p>\n Y\u00f6netmen Justine Triet’nin Frans\u0131zlar\u0131n sa\u00e7mal\u0131\u011f\u0131, karma\u015f\u0131k ebeveynlik ve ili\u015fkilerdeki sorumlulu\u011fun getirdi\u011fi y\u00fckleri ele al\u0131yor. \u00d6zellikle ili\u015fkilerin herkesin g\u00f6rebilece\u011fi \u015fekilde yans\u0131t\u0131lmas\u0131nda, bu y\u00f6netmenlerin \u00e7o\u011funlu\u011funun kad\u0131n d\u00fc\u015fmanlar\u0131n\u0131n \u00f6nyarg\u0131lar\u0131 a\u00e7\u0131\u011fa \u00e7\u0131karmak i\u00e7in yarg\u0131 sisteminin bir yay\u0131lma tahtas\u0131 olarak kullan\u0131lmas\u0131na olanak sa\u011fl\u0131yor. Ba\u015f karakter Sandra (H\u00fcller), masumiyetinin g\u00f6r\u00fclmemesi i\u00e7in m\u00fccadele eden \u00fclk\u00fc kurban\u0131 de\u011fil; ili\u015fkilerin kusurlulu\u011fundan bir \u015fekilde bahsediyor ve hayatta kalmak i\u00e7in sava\u015fan kusursuz \u015fehit d\u00fczenli kli\u015fe fig\u00fcr\u00fcn aksine, kendini tam anlam\u0131yla bir insan gibi hissediyor.<\/p>\nSenaryonun en etkileyici yan\u0131, s\u0131k\u0131nt\u0131ya girmek yerine, Temel oran<\/em> (Cinayetle su\u00e7lanan biseks\u00fcel romanc\u0131 Sandra, Sharon Stone’un Catherine Tramell’i gibi ka\u011f\u0131t \u00fczerinde), sineman\u0131n alg\u0131s\u0131 ve hikaye anlat\u0131m\u0131 \u00fczerine daha a\u011f\u0131r hareketlerle \u00e7ok daha fazla ilgilendi\u011fi ortaya \u00e7\u0131k\u0131yor. Hal b\u00f6yle oldu\u011funda, saran oranlar\u0131n\u0131n kendili\u011finden sona ermesi olu\u015fur.<\/p>\nSinema, olas\u0131l\u0131klar En \u0130yi Senaryo ve En \u0130yi Uluslararas\u0131 Sinema \u00f6d\u00fcllerini alarak \u00f6d\u00fcllerin favorisi olmaya ba\u015flad\u0131. Gotham Ba\u011f\u0131ms\u0131z Sinema \u00d6d\u00fclleri<\/strong> New York Sinema Ele\u015ftirmenleri Birli\u011fi \u00d6d\u00fclleri’nde En \u0130yi Yabanc\u0131 Dilde Sinema \u00f6d\u00fcl\u00fc. Avrupa Sinema \u00d6d\u00fclleri’nde, En \u0130yi Sinema, En \u0130yi Y\u00f6netmen, En \u0130yi Senarist ve En \u0130yi Kad\u0131n Oyuncu olmak \u00fczere t\u00fcm kategorilerde b\u00fcy\u00fck \u00f6d\u00fcl\u00fcn kazan\u0131laca\u011f\u0131 i\u00e7in her t\u00fcrl\u00fc nedenimiz var. Ayr\u0131ca EFA’lar ge\u00e7en sene g\u00f6rd\u00fc\u011f\u00fcm\u00fcz gibi ayn\u0131 sinemaya birden fazla de\u011fer vermekten \u00f6teye ge\u00e7emiyor. H\u00fcz\u00fcn \u00dc\u00e7geni<\/strong><\/em> D\u00f6rt \u00f6d\u00fcl kazand\u0131: En \u0130yi Sinema, Y\u00f6netmen, Senarist ve Erkek Oyuncu. Bu alan\u0131 izleyin… Ancak, Bir D\u00fc\u015f\u00fc\u015f\u00fcn Anatomisi<\/em> Uygun duygusal derinli\u011fe sahip d\u00fc\u015f\u00fcnd\u00fcr\u00fcc\u00fc bir drama, daha \u00f6nceki Cannes kazananlar\u0131 kadar kal\u0131c\u0131 g\u00fcce sahipmi\u015f gibi g\u00f6r\u00fcn\u00fcyor. Bunu cesaretlendirebilirler, zaten abart\u0131lm\u0131\u015f bir leke. Bununla birlikte, uluslararas\u0131 seyirciler onu \u00e7ok sevdi ve Berlin’den bir\u00e7ok \u00f6d\u00fclle ayr\u0131ld\u0131sa \u015fa\u015f\u0131rmad\u0131.<\/p>\nUmal\u0131m da Cumartesi g\u00fcn\u00fc kazananlar ge\u00e7en seneye g\u00f6re biraz daha \u00e7e\u015fitli olsun, b\u00f6ylece daha fazla film izlenebilir…<\/p>\n D\u00fc\u015fen Yapraklar (Kuolleet Lehdet)<\/strong><\/b><\/p>\n Y\u00f6netmen: Aki Kaurism\u00e4ki (Finlandiya, Almanya)<\/strong><\/p>\n<div>\n<div>\n<figure>\n<div><iframe src=\"https:\/\/www.youtube.com\/embed\/AI3IASNvKeQ\"><\/iframe><\/div>\n<\/figure>\n<\/div>\n<\/div>\nAki Kaurism\u00e4ki bu y\u0131l Cannes Sinema \u015eenlik’e en iyi yar\u0131\u015fma filmlerinden birini sundu. D\u00fc\u015fm\u00fc\u015f yapraklar<\/em>J\u00fcri \u00d6d\u00fcl\u00fc’n\u00fc \u00fc\u00e7\u00fcnc\u00fcl\u00fckle kazand\u0131 ve En \u0130yi Uluslararas\u0131 Sinema kategorisinde 2024 Oscar aday\u0131 se\u00e7ildi.<\/p>\nAlt\u0131 y\u0131l aradan sonra ilk sinemas\u0131 ve ‘i\u015f\u00e7i s\u0131n\u0131f\u0131 \u00fc\u00e7lemesinin’ d\u00f6rd\u00fcnc\u00fc b\u00f6l\u00fcm\u00fc i\u00e7in ( Cennetteki G\u00f6lgeler, Ariel, Kibrit Fabrikas\u0131 K\u0131z\u0131<\/em> ), Finli duygusuz usta 2023’\u00fcn en s\u0131cak, kasvetli romantik komedisini sunabildi. Ve ortaya \u00e7\u0131kt\u0131 ki, Finlilerin kendini iyi hissetmesi garip bir \u015fekilde ba\u011f\u0131ml\u0131l\u0131k yap\u0131yor.<\/p>\n \u0130ki kay\u0131p ruhun, t\u00fcm zorluklara ra\u011fmen tuhaf ve g\u00fczel bir ba\u011f kurmas\u0131n\u0131 konu alan temel anlat\u0131, pek \u00e7ok genel Hollywood kural\u0131n\u0131 kar\u015f\u0131l\u0131yor. Bununla birlikte, yerli trajikomik melankoli harikalar yarat\u0131l\u0131yor; y\u00f6netmen, Kaurism\u00e4ki’nin \u015fa\u015fmaz t\u00fcm \u00f6zellikleri ta\u015f\u0131yan, ne\u015feli bir komediye d\u00f6n\u00fc\u015fen bir i\u015f\u00e7i s\u0131n\u0131f\u0131 a\u015fk\u0131n\u0131 \u015fekillendiriyor: karakterlerin ifade edemedi\u011fi derinden ar\u0131nd\u0131r\u0131lm\u0131\u015f sessiz ay\u0131rmal\u0131k; alayc\u0131 komik s\u00f6zler ve esprili espriler; film yap\u0131mc\u0131s\u0131n\u0131n kahramanlar\u0131na – \u00f6zellikle Ozu ve Bresson’a – birka\u00e7 kurnaz; ve y\u00f6netmenin g\u00f6r\u00fcnt\u00fc y\u00f6netmeni Timo Salminen ile devam eden ortakl\u0131\u011f\u0131n\u0131 k\u0131nayan, hassas bir \u015fekilde olu\u015fturulmu\u015f, hedeflerle y\u0131kanm\u0131\u015f ve haz\u0131rlanan renk program\u0131na sahip portreler.<\/p>\n Y\u00f6netmenin hayranlar\u0131 burada yeni bir \u015fey bulamayacak ama yine de bunu deneyimlemek mutlak bir keyif. D\u00fcnyadaki par\u00e7an\u0131z oldu\u011funda etraf\u0131 saracak tek \u015fey, tesad\u00fcfi kar\u015f\u0131la\u015fmalara teslim olmak ve kap\u0131dan bir ad\u0131m bile atmadan sevgiyi kucaklaman\u0131n bir hat\u0131rlat\u0131c\u0131s\u0131d\u0131r. Ve bug\u00fcnlerde buna daha \u00e7ok geli\u015fmi\u015f var…<\/p>\n En \u0130yi Sinema, En \u0130yi Y\u00f6netmen, En \u0130yi Senarist, En \u0130yi Erkek Oyuncu ve En \u0130yi Kad\u0131n Oyuncu dallar\u0131nda aday g\u00f6sterildi. Ba\u015fka bir y\u0131lda, bu kategorilerin galibiyeti i\u00e7in bir \u015fans sa\u011fland\u0131. Ancak bunun g\u00f6lgede kalaca\u011f\u0131na dair gizli bir \u015f\u00fcphemiz var. Bir D\u00fc\u015f\u00fc\u015f\u00fcn Anatomisi<\/em>…<\/p>\n Ye\u015fil S\u0131n\u0131r (Zielona Granica)<\/strong><\/b><\/p>\n Y\u00f6netmen: Agnieszka Holland (Polonya, Fransa, \u00c7ek Cumhuriyeti, Bel\u00e7ika)<\/strong><\/p>\n<div>\n<div>\n<figure>\n<div><iframe src=\"https:\/\/www.youtube.com\/embed\/0OrWnjzVkys\"><\/iframe><\/div>\n<\/figure>\n<\/div>\n<\/div>\n Ye\u015fil Kenarl\u0131k<\/em> Devam eden AB krizinin duygusal a\u00e7\u0131dan y\u0131k\u0131c\u0131 bir itham\u0131d\u0131r ve Agnieszka Holland’\u0131n en iyi filmlerinden biridir. Orada s\u00f6yledik.<\/p>\n Ba\u015fl\u0131k, Belarus ve Polonya aras\u0131nda sahipsiz ayr\u0131 ayr\u0131 ormanlara mevcut durumda bulunmaktad\u0131r. Orada, Orta Do\u011fu ve Afrika’dan gelen m\u00fclteciler \u00e7aresizce Avrupa Birli\u011fi’ne ula\u015fmaya \u00e7al\u0131\u015f\u0131yor ve hem Belarus hem de Polonya h\u00fck\u00fcmetleri taraf\u0131ndan denetlenen abs\u00fcrt bir ileri geri gidi\u015fin ortas\u0131nda s\u0131k\u0131\u015f\u0131p kalm\u0131\u015f halde buluyorlar. M\u00fclteciler AB’ye g\u00fcvenli ge\u00e7i\u015f vaadiyle s\u0131n\u0131ra \u00e7ekiliyor. Ger\u00e7ek \u015fu ki onlar, Belaruslu diktat\u00f6r Alexander Lukashenko’nun y\u00f6netti\u011fi hileli bir oyunun siyasi piyonlar\u0131; \u0130ki taraf aras\u0131nda a\u015f\u0131r\u0131 derecede tahliye ediliyorlar, her ikisi de herhangi bir sorumluluk \u00fcstlenmiyor ve onlar\u0131 korkun\u00e7 derecede belirsiz sonu bir duruma mahkum etmeye devam ediyor.<\/p>\n Ye\u015fil Kenarl\u0131k<\/em> Gelecek y\u0131l g\u00f6rece\u011finiz en s\u00fcr\u00fckleyici filmlerden biri (heniz \u00e7o\u011fu Avrupa’da yay\u0131nlanmad\u0131). Keskin ve sinema a\u00e7\u0131s\u0131ndan g\u00fc\u00e7l\u00fc bir film. kri-du-coeur<\/em>bu sessizlere ses verir.<\/p>\n Hollanda bunu y\u00f6netmenin notlar\u0131nda en iyi \u015fekilde ifade ediyor: \u201c\u00c7a\u011fda\u015f zamanlar\u0131n t\u00fcm sorunlar\u0131yla y\u00fczle\u015fmenin b\u00fcy\u00fck hayal g\u00fcc\u00fc ve cesaretinin bir d\u00fcnyada hayatta kalmas\u0131. Sosyal medya devrimi ve yapay zeka, ger\u00e7ek seslerin duyulmas\u0131n\u0131 giderek zorla\u015ft\u0131rd\u0131. Bana g\u00f6re e\u011fer o ses i\u00e7in m\u00fccadele etmiyorsan\u0131z, bizi dramatik se\u00e7imlerle kar\u015f\u0131 kar\u015f\u0131ya b\u0131rakan \u00f6nemli, ac\u0131 verici, bazen \u00e7\u00f6z\u00fclemeyen hikayeler hakk\u0131nda sorular sormak i\u00e7in m\u00fccadele etmiyorsan\u0131z arka ile me\u015fgul olan\u0131n hi\u00e7bir anlam\u0131 yok.\u201d<\/p>\n Bu y\u0131lki ana \u00f6d\u00fcl i\u00e7in sinemay\u0131 de\u011fi\u015ftirme; Sadece zaman\u0131nda mesaj nedeniyle de\u011fil, ayn\u0131 zamanda hakl\u0131 \u00f6fke ile zekice film yap\u0131m\u0131n\u0131 bu kadar ustaca harmanlamay\u0131 ba\u015faran, bizi zorlayacak bir zorbal\u0131\u011fa teslim olmayan bir insan \u00f6yk\u00fcs\u00fcn\u00fc anlatan filmin nadir olmas\u0131 nedeniyle. konu beyaz perdede g\u00f6\u00e7men anlat\u0131lar\u0131 oldu\u011funda izleyicinin yorgunlu\u011funu art\u0131r\u0131yor.<\/p>\n Polonya’n\u0131n insanl\u0131k d\u0131\u015f\u0131 politikalar\u0131na seslenen ve Avrupa’n\u0131n kolektif olarak i\u00e7inde yer ald\u0131\u011f\u0131 jeopolitik montaj kolektif sorumluluk hakk\u0131nda hayati sorular soran sinema, nefretin hedefi oldu. \u00d6rne\u011fin Polonya Adalet Bakan\u0131 Zbigniew Ziobro \u015f\u00f6yle etiketledi: Ye\u015fil Kenarl\u0131k<\/em> Sinemay\u0131 g\u00f6rmeden \u201c\u00dc\u00e7\u00fcnc\u00fc Reich propagandas\u0131\u201d olarak. Aferin orada. Hollanda’ya ve filmine y\u00f6nelik sa\u011fc\u0131 zehir<\/strong>Avrupa Sinema Y\u00f6netmenleri Federasyonu (FERA) ve Avrupa Sinema Akademisi’nin (EFA) deste\u011fiyle kar\u015f\u0131 \u00e7\u0131kt\u0131.<\/p>\n\u00c7arp\u0131c\u0131 ve \u015fefkatli bir sinemay\u0131 y\u00fcceltmenin VE bir mesaj g\u00f6ndermenin hediye vermekten daha iyi bir yolu olabilir mi? Ye\u015fil Kenarl\u0131k<\/em>Bu Y\u0131l\u0131n En \u0130yi Sinemas\u0131 m\u0131?<\/p>\n Ben Kaptan (Io Capitano)<\/strong><\/b><\/p>\n Y\u00f6netmen: Matteo Garrone (\u0130talya, Bel\u00e7ika)<\/strong><\/p>\n<div>\n<div>\n<figure>\n<div><iframe src=\"https:\/\/www.youtube.com\/embed\/Z6fLvLN2EqM\"><\/iframe><\/div>\n<\/figure>\n<\/div>\n<\/div>\nVenedik Sinemas\u0131 \u015eenlik’in bu y\u0131lki g\u00fc\u00e7l\u00fc isimlerinden biri olan \u0130talyan y\u00f6netmen Matteo Garrone’un filmi oldu. Io Capitano<\/em>Bu da g\u00f6\u00e7menlere farkl\u0131 bir boyut kazand\u0131r\u0131yor.<\/p>\n Bunu yaparken, En \u0130yi Erkek Oyuncu ger\u00e7ek bir ki\u015finin kat\u0131labilece\u011fi, denizcilik veya navigasyon deneyimi olmayan ancak bir insan ka\u00e7ak\u00e7\u0131s\u0131 taraf\u0131ndan kaptanl\u0131k g\u00f6revini \u00fcstlenmek ve bir tekneyle g\u00f6revlendirilen Seydou’ya (Seydou Sarr) odaklanarak \u00e7al\u0131\u015f\u0131yor. Akdeniz’de 250 ki\u015fi.<\/p>\n Io Capitano<\/em>ger\u00e7ek hayattaki olaylardan ilham al\u0131yor ve kendileri i\u00e7in daha iyi bir ya\u015fam yaratma hayaliyle Avrupa’ya tehlikeli bir \u015fekilde saklanan pek \u00e7ok ki\u015fi i\u00e7inde bulunan k\u00f6t\u00fc durumu yans\u0131tan Hades’e d\u00fc\u015f\u00fc\u015fe sa\u011flam bir bak\u0131\u015f sunuyor.<\/p>\nBe\u011fenmek Ye\u015fil Kenarl\u0131k<\/em> derece derece g\u00fcncel. Ancak En \u0130yi Sinema aday listesindeki be\u015f film aras\u0131nda en zay\u0131f gibi duruyor. \u0130zlemeye de\u011fer olsa da bu y\u0131l ana gongla eve gelece\u011finden \u015f\u00fcpheliyiz.<\/p>\n \u0130lgi Alan\u0131<\/strong><\/b><\/p>\n Y\u00f6netmen: Jonathan Glazer (Birle\u015fik Krall\u0131k, Polonya, ABD)<\/strong><\/p>\n<div>\n<div>\n<figure>\n<div><iframe src=\"https:\/\/www.youtube.com\/embed\/GFNtVaAuVYY\"><\/iframe><\/div>\n<\/figure>\n<\/div>\n<\/div>\nJonathan Glazer’\u0131n y\u00fcrek par\u00e7alay\u0131c\u0131 Holokost dram\u0131 \u0130lgi Alan\u0131<\/em> Bu y\u0131l EFA adayl\u0131klar\u0131nda ba\u015f\u0131 \u00e7ekiyor ve En \u0130yi Uluslararas\u0131 Uzun Metraj Film, Birle\u015fik Krall\u0131k’\u0131n 2024 Oscar’lar\u0131na resmi olarak se\u00e7ildi. Sizi sarsacak son derece rahats\u0131z edici ve c\u00fcretkar bir sinema \u2013 \u00f6nceki Ocak ay\u0131ndaki sinemalarda izleyeceksiniz.<\/p>\nMartin Amis’in 2014 tarihli roman\u0131ndan bir \u015fekilde uyarlanan, \u0130lgi Alan\u0131<\/em>Glazer’\u0131n 2013’\u00fcn ard\u0131ndan 10 y\u0131l aradan sonra ilk uzun metrajl\u0131 filmi. Derin’in Alt\u0131nda<\/em> . Toplama kamp\u0131 duvar\u0131n\u0131n di\u011fer evlerinde aileleri i\u00e7in r\u00fcya gibi bir hayat in\u015fa eden Auschwitz kamp\u0131 komutan\u0131 Rudolf H\u00f6ss (Christian Friedel) ve e\u015fi Hedwig’in (Sandra H\u00fcller) hikayesi anlat\u0131l\u0131yor. Ailenin g\u00fcnl\u00fck evcimenli\u011fini g\u00f6zlemliyoruz: Dost\u00e7a ziyaretleri, evi \u015fehirli tutan hizmet\u00e7iler, Cennet bah\u00e7esiyle ilgilenen Hedwig ve \u00f6lmekte olan bir bah\u00e7enin yan\u0131nda in\u015fa edilmi\u015f ya\u015fam mekanizmas\u0131 takdir eden Hedwig.<\/p>\nY\u00fczlerce film Holokost konusunu ele ald\u0131, ancak \u00e7ok az \u0130ngiliz y\u00f6netmen Jonathan Glazer’\u0131n bunu ba\u015farmay\u0131 ba\u015fard\u0131. \u0130lgi Alan\u0131<\/em> . \u00c7ok say\u0131da ki\u015fi be\u011feniyor Schindler’in Listesi<\/em>Ve Saul’un o\u011flu<\/em> Toplama kamplar\u0131n\u0131n duvarlar\u0131 i\u00e7inde ya\u015fananlar\u0131n hayal bile edilemeyece\u011fini hat\u0131rlatt\u0131 ve bir\u00e7o\u011fu Hannah Arendt’in “k\u00f6t\u00fcl\u00fc\u011f\u00fcn s\u0131radanl\u0131\u011f\u0131” olarak adland\u0131rd\u0131\u011f\u0131 noktaya de\u011findi. Ancak \u00e7ok az ki\u015fi bu terimi al\u0131p bu kadar t\u00fcyler \u00fcrpertici bir \u015fekilde beyazperdeye ta\u015f\u0131nd\u0131; yaln\u0131zca k\u00f6t\u00fcl\u00fc\u011f\u00fcn arkas\u0131ndaki s\u0131radanl\u0131\u011f\u0131 de\u011fil, ayn\u0131 zamanda en a\u011fza al\u0131nmayacak su\u00e7lar\u0131 i\u015fleyenlerin hayatlar\u0131n\u0131n ard\u0131ndaki rahats\u0131z edici \u015fekilde \u00f6\u011frenilebilen insanl\u0131\u011f\u0131 da ke\u015ffetti.<\/p>\n Glazer’\u0131n sinemas\u0131, bi\u00e7imsel d\u00fczeyde, benzer mekanlar s\u00f6z konusu oldu\u011funda geleneksel boyutlarda y\u0131kanan cesur bir ustal\u0131k eseridir. Sinema b\u00f6l\u00fcm\u00fc, (di\u011fer pek \u00e7ok \u015feyin yan\u0131 s\u0131ra) \u00e7er\u00e7evelemenin ve seyrek olarak kullan\u0131lan gezici \u00e7ekimlerin nas\u0131l bu kadar \u00e7ok \u015fey ifade etti\u011fi ve ayn\u0131 zamanda da\u011f\u0131t\u0131c\u0131lar\u0131 olan Mika Levi’nin v\u0131z\u0131lt\u0131s\u0131yla ani monokrom ekranlar\u0131n yaratt\u0131\u011f\u0131 etkiyi analiz ederek, \u00f6n\u00fcm\u00fczdeki y\u0131llarda bu filmde d\u0131\u015far\u0131da yemek yiyecek olacak. Hades’in en derin \u00e7\u0131k\u0131\u015flar\u0131ndan yay\u0131l\u0131yormu\u015f gibi hissedilen alarm sesleri.<\/p>\n Glazer’\u0131n Nihai \u00c7\u00f6z\u00fcm’e dair cesur tasvirinde takdir edilecek ve \u00e7\u00f6z\u00fclecek \u00e7ok \u015fey var. Zaten bizim 21. Y\u00fczy\u0131l\u0131n En \u0130yi Avrupa Filmleri<\/strong> Bu listede Avrupa sinemalar\u0131nda g\u00f6sterime girseydi b\u00fcy\u00fck olas\u0131l\u0131kla 2023’\u00fcn En \u0130yi Sinemas\u0131 s\u0131ralamas\u0131nda en \u00fcst s\u0131ralarda yer al\u0131rd\u0131. \u0130zleyiciler i\u00e7in biraz fazla c\u00fcretkar olma ihtimali var ve biz de heyecanlan\u0131rd\u0131k. Cumartesi g\u00fcn\u00fc En \u0130yi Sinema’y\u0131 al\u0131rsa, Glazer En \u0130yi Y\u00f6netmen kapsam\u0131n\u0131 almazsa g\u00f6klere lanet etmi\u015f olacakt\u0131m.<\/p>\n Tahminciler<\/strong><\/b><\/p>\n Kristal k\u00fcrelerimizi geni\u015fletebiliriz 36. Avrupa Sinema \u00d6d\u00fclleri’nin kazananlar\u0131n\u0131 tahmin ediyoruz. Yukar\u0131da da anlayabilece\u011finiz gibi, pek \u00e7ok film \u00f6d\u00fcl\u00fcn\u00fc almay\u0131 hak etti\u011fi i\u00e7in bu y\u0131l zor bir y\u0131l yap\u0131ld\u0131.<\/p>\nBununla birlikte, i\u015fte \u015f\u00f6yle:<\/p>\n Avrupa Sinemas\u0131:<\/strong><\/p>\n Kazanacak:<\/strong>B\u0130R D\u00dc\u015e\u00dc\u015e\u00dcN ANATOM\u0130S\u0130 (ANATOMIE D’UNE CHUTE) – Y\u00f6netmen: Justine Triet (Fransa)<\/p>\n Kazanmal\u0131:<\/strong>YE\u015e\u0130L SINIR (ZIELONA GRANICA) – Y\u00f6netmen Agnieszka Holland (Polonya, Fransa, \u00c7ek Cumhuriyeti, Bel\u00e7ika)<\/p>\n Avrupa Direkt\u00f6r\u00fc:<\/strong><\/p>\n Kazanacak:<\/strong>Agnieszka Hollanda i\u00e7in YE\u015e\u0130L SINIR<\/p>\n Kazanmal\u0131:<\/strong>Jonathan Glazer i\u00e7in THE ZONE OF ILTEREST<\/p>\n Avrupal\u0131 \u200b\u200bKad\u0131n Oyuncu:<\/strong><\/p>\n Kazanacak:<\/strong>B\u0130R D\u00dc\u015e\u00dc\u015e\u00dcN ANATOM\u0130S\u0130 \/ \u0130LG\u0130 ALANINDA Sandra H\u00fcller<\/p>\n Kazanmal\u0131:<\/strong>B\u0130R D\u00dc\u015e\u00dc\u015e\u00dcN ANATOM\u0130S\u0130 \/ \u0130LG\u0130 ALANINDA Sandra H\u00fcller<\/p>\n Avrupal\u0131 \u200b\u200bAkt\u00f6r:<\/strong><\/p>\n Kazanacak:<\/strong>Josh O’Connor LA CHIMERA’da<\/p>\n Kazanmal\u0131:<\/strong>Vaat Edilen Topraklarda Mads Mikkelsen<\/p>\n Avrupal\u0131 \u200b\u200bSenarist:<\/strong><\/p>\n Kazanacak:<\/strong>Justine Triet ve Arthur Harari i\u00e7in Bir D\u00fc\u015f\u00fc\u015f\u00fcn Anatomisi<\/p>\n Kazanmal\u0131:<\/strong>D\u00dc\u015eEN YAPRAKLAR i\u00e7in Aki Kaurism\u00e4ki<\/p>\n Avrupa Belgeseli:<\/strong><\/p>\n Kazanacak:<\/strong>D\u00d6RT KIZ (LES FILLES D’OLFA) – Y\u00f6netmen: Kaouther Ben Hania (Fransa, Tunus, Almanya, Suudi Arabistan)<\/p>\n Kazanmal\u0131:<\/strong>D\u00d6RT KIZ (LES FILLES D’OLFA) – Y\u00f6netmen: Kaouther Ben Hania (Fransa, Tunus, Almanya, Suudi Arabistan)<\/p>\n Avrupa Ke\u015ffi \u2013 Prix FIPRESCI<\/strong><\/p>\n Kazanacak:<\/strong>NASIL SEKS YAPILIR’\u0131n y\u00f6netti\u011fi Molly Manning Walker (Birle\u015fik Krall\u0131k, Yunanistan)<\/p>\n Kazanmal\u0131:<\/strong>VINCENT \u00d6LMEL\u0130 (VINCENT DOIT MOURIR) Y\u00f6netmen: St\u00e9phan Castang (Fransa)<\/p>\n 2023 Avrupa Sinema \u00d6d\u00fclleri’nin kazananlar\u0131 9 Aral\u0131k Cumartesi g\u00fcn\u00fc Berlin’de a\u00e7\u0131klanacak. Gecenin tamam\u0131 ve Euronews Culture’a yer i\u015fareti i\u00e7in \u00f6zel r\u00f6portajlar yay\u0131nland\u0131. Ve belki ka\u00e7 kategoriyi do\u011fru \u00e7a\u011f\u0131rd\u0131\u011f\u0131m\u0131z i\u00e7in bizi alk\u0131\u015flayabilirsiniz.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"Avrupa Sinema \u00d6d\u00fclleri’nde 2023’\u00fcn En \u0130yi Avrupa Sinemas\u0131 \u00f6d\u00fcl\u00fcne aday g\u00f6sterilebilmesi i\u00e7in be\u015f film y\u0131l\u0131n en g\u00fc\u00e7l\u00fcleri aras\u0131nda yer ald\u0131\u011f\u0131ndan bunu s\u00f6ylemek zor. Adaylara kat\u0131labilecek tahminlerimizi veriyoruz.<\/p>\n","protected":false},"author":1,"featured_media":11948,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[125,121],"class_list":["post-11947","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dunya","tag-en-iyi","tag-sinema"],"yoast_head":"\n<title>Avrupa Sinema \u00d6d\u00fclleri 2023: Bu y\u0131l En \u0130yi Sinema se\u00e7enekleri kim kazanacak?<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/haberciler.org\/avrupa-sinema-odulleri-2023-bu-yil-en-iyi-sinema-secenekleri-kim-kazanacak\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Avrupa Sinema \u00d6d\u00fclleri 2023: Bu y\u0131l En \u0130yi Sinema se\u00e7enekleri kim kazanacak?\" \/>\n<meta property=\"og:description\" content=\"Avrupa Sinema \u00d6d\u00fclleri'nde 2023'\u00fcn En \u0130yi Avrupa Sinemas\u0131 \u00f6d\u00fcl\u00fcne aday g\u00f6sterilebilmesi i\u00e7in be\u015f film y\u0131l\u0131n en g\u00fc\u00e7l\u00fcleri aras\u0131nda yer ald\u0131\u011f\u0131ndan bunu s\u00f6ylemek zor. 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